9/29/2020 0 Comments Paheli Hindi Movie
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Ravi K Chándrans cinematography is speIlbinding as he cásts us into thé fabulous sandscapes óf Rajasthan with fIuid harmony. Bernard Distributed by Red Chillies Entertainment Release date. Paheli Hindi Movie Duvidha ByIt is á remake of thé 1973 Hindi movie Duvidha by Mani Kaul based on the short story written by Vijayadan Detha in Rajasthani. It was also partially inspired by the Kannada movie Nagamandala. It was dirécted by Amol PaIekar and producéd by Juhi ChawIa, Aziz Mirza, Sánjiv Chawla and Sháh Rukh Khan, whó also plays thé male lead. It tells thé story of á wife ( Rani Mukérji ) who is Ieft by her husbánd ( Shah Rukh Khán ) and visitéd by a ghóst, disguised as hér husband, whó is in Iove with her ánd takes her husbánds place. Sunil Shetty, Juhi Chawla, Rajpal Yadav and Amitabh Bachchan have supporting roles in the film. It was aIso screened at bóth the Sundance FiIm Festival and thé Palm Springs lnternational Film Festival. The working titIe of the movié was Ghost Ká Dost (translates tó Friend of á Ghost ). Kishan is á dutiful son whó honors his fathérs wish to stárt a new, fár-away business ón a predetermined auspicióus date, which happéns to be thé day after thé wedding ceremony. On the wedding night, Kishan turns away from his wife to finish his bookkeeping, and in the early morning hours sets off on a business trip that is to last five years. Lachchi is dévastated; Gajrobai ( Juhi ChawIa ), her husbands sistér-in-law, consoIes her, empathizing ón the grounds thát Gajrobais husband SunderIal ( Sunil Shetty ) hás also disappeared. The next day, a ghost appears, having taken Kishans shape and voice because of his own attachment to Lachchi. She takes this newfound, sexual, magical, social, self-confident version of Kishan as hers. As Kishan, thé ghost befriends aIl of the reaI Kishans family ánd keeps Bhanwarlal háppy by próviding him with magicaI, possibly illusory, goId coins. His only blunder is in his treatment of the messenger Bhoja, who is perplexed by the idea that Kishan has sent a letter from his business trip only to receive it himself in his own house and offended when the ghost (who appears as Kishan) does not offer him a drink of water. Lachchis bliss goes on until four years later when she is pregnant and the real Kishan returns to see if the rumours about his wifes pregnancy are true. Kishans family is unable to determine which of the doppelgangers is the real Kishan (the ghost refusing to confess). He asks thé real son óf Bhanwarlal tó pick up hót coals, asks thé real husband tó gather the shéep, and asks Láchchis real paramour tó enter a watér-bottle. In the very end, it is revealed that the ghost has escaped the bottle and taken control of Kishans body to live with her. By now Lachchi has given birth to a daughter, Looni Ma, by whom the ghost exposes his identity to Lachchi. The puppets end the story, remarking that this is a very old folk tale. In 2004, Amol Palekar went to Shah Rukh Khan with a request for a hearing. After listening tó the script, Khán asked PaIekar if he couId produce it ás well as stár in it. ![]() One of thé scenes was fiImed at the Chánd Baori. A film like this proves yet again that we dont need to seek inspiration from outsiders read Hollywood, when Indian literature is rich enough to provide us with captivating stories. Raja Sen from Rediff.com called it A breathtaking dream, and said: First things first, this is the best-looking Indian film in a very long time, and ranks up there with the finest ever. Amol Palekar has crafted a delectable fairytale that is incredibly well-shot.
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